The Company

Lyric Opera of Kansas City is one of the nation’s premier regional opera companies, and is celebrating its 51st season having performed 97 different productions (30 of which are American operas and 3 are world premieres).  The current season consists of four operas performed in September, November, March, and May in the Lyric Theatre.  Lyric Opera produces an eclectic repertoire, and offers one production of an American or contemporary opera most seasons.  In the fall of 1998, the Company began performing operas in the original language, a tradition which continues today with all operas being performed in the original language with English subtitles.

In the fall of 1957, a young conductor, Russell Patterson, and J. Morton Walker, who had been associated with civic opera ventures in Minneapolis and Fort Worth, initially organized the Lyric as an experiment.  These two proposed to transplant the European opera-theater pattern to a more or less typical American setting.  A number of local opera buffs welcomed the idea, but there were many qualms including: Would Kansas City accept opera so unorthodox by the prevailing national standards without stars or spectacular stage investitures?  Friends told them it could not be done.  The company has been proving the friends wrong ever since.

The initial hurdle proved to be locating an available venue for rent.  The Rockhill, a 40-year-old motion picture theater was selected.  There, on the night of September 29, 1958, the Company presented La bohème, as the first performance of a four-week repertory season.  In the early 1960’s, such auxiliary groups as the Women’s Committee (formerly known as the Lyric Opera League and now merged with the Guild) and Lyric Theater Guild (now Lyric Opera Guild) had formed.  By 1965, the Company began touring to nearby towns, first in Missouri and later in Kansas, Oklahoma, Nebraska, Arkansas and South Dakota; touring ceased in fall 1992.

After the close of the 10th season, a fire gutted the Rockhill and the company was offered use of the Uptown Theatre on Broadway.  The destruction of the Rockhill ended an era for the Lyric.  Over the previous decade the company had mounted more than 200 performances of 30 different works.  In the process, Kansas City had become one of the very few American communities where it was possible – even if only during a brief period every year – to see four different operas on as many successive nights of the week.  Time magazine had pronounced the company as “a valid and important part of the American operatic explosion.”

In 1970, after a second season at the Uptown, the Capri Theatre at 11th and Central became available with a larger auditorium and traditional theatre and backstage facilities.  Here, during the succeeding years, the Lyric presented such contemporary works as The Saint of Bleecker Street, Of Mice and Men, Die Kluge and a world premiere of Captain Jinks of the Horse Marines along with such established masterpieces as Aida and The Magic Flute.  By 1974 the company had come into exclusive possession of the Capri under a long-term lease, consolidated offices there, and changed the name of the theater to the Lyric and the Company name from the Lyric to Lyric Opera of Kansas City.  In 1991, the Lyric Opera purchased the theatre.

In 1989, the Middle-America Opera Apprentice Program was born.  The program is a collaboration between the Lyric Opera of Kansas City and the Conservatory of Music at the University of Missouri-Kansas City that prepares exceptional young singers for a professional operatic career.  For the final season in his forty-year career as head of the Company, Russell Patterson presented the second World Premiere for the Lyric, the 1998 production of Coyote Tales, by Henry Mollicone, with libretto by Sheldon Harnick.  Upon Maestro Patterson’s retirement at the end of June 1998, Evan Luskin became general director, after twelve years as managing director.  Also at that time, Ward Holmquist assumed the post of artistic director of the Company and instituted the practice of performing in original language with English subtitles.

Today, the Lyric Opera brings high quality live operatic performances to the people of the Kansas City area and five-state region.  Repertoire choices encompass original language performances of standard repertory as well as contemporary and American operas.  The Company seeks to mount productions that enrich the community it serves, as well as reflect the highest artistic standards of the profession.

In its history, the Company has produced five recordings: The Taming of the Shrew issued by CRI in 1969; The Sweet Bye and Bye issued by Desto in 1973; Captain Jinks of the Horse Marines issued by RCA in 1976; The Devil and Daniel Webster issued by Newport in 1995 and Coyote Tales issued by Newport in 1998.

Recent artistic highlights for the Company include the world premiere of John Brown, by Kirke Mechem (2008) and the critically acclaimed productions of The End of the Affair (2007), Aida (2007), and the November 2005 production of The Turn of the Screw. Notable artists such as Donnie Ray Albert, Daniel Belcher, Joyce Didonato, James Maddelena, Ana Maria Martinez, Marie Plette, Peter Kazaras, John Packard, David Pomeroy, Gary Simpson and Jianyi Zhang have appeared on the Lyric stage.

The Lyric Opera offers innovative programs designed to further music and arts education both in schools and in the community.  The education staff works directly with teachers, parents and young people in a collaborative effort to create award-winning programs such as Opera Heroines and Opera Heroes.  Other innovative programs include Head Start With Opera, Star Tech Apprentice Program, Opera For Captive Audiences and Summer Opera Camp.  In 2000, The Lyric Opera’s Education department jointly commissioned a new work with Opera Theatre of St. Louis entitled Joshua’s Boots. Other commissioned works include Never Lost a Passenger: Harriet Tubman and the Underground Railroad and, for 2002, Somebody’s Children.  During the 2000-2001 season, under the guidance of the Lyric Opera, Kansas City became one of six regions participating in the Metropolitan Opera’s Texaco Quiz Kids, an educational program in quiz format for schools.

When the Lyric Opera began in 1958 it had a very modest budget of $34,000. Today, the Company has a budget of $5,100,000 and recently purchased three buildings in Kansas City’s East Crossroads neighborhood, which will become new production, office and rehearsal space.  The Company is slated to move its performances to the state-of-the-art Kauffman Center for the Performing Arts upon its opening during the Lyric’s 2010-2011 season.

ABOUT THE FRIENDS

ince 1975, The Friends of Chamber Music has presented the world’s finest chamber musicians to Kansas City’s audiences. With an annual season of more than 20 performances featuring internationally acclaimed artists and ensembles, The Friends provides the highest of quality artistic experiences for music lovers in the community.

he season comprises four outstanding series: The International Chamber Music Series, The Master Pianists Series, The Early Music Series, and the “What Makes It Great?” educational series. A wide variety of instrumentation is represented including string quartets, piano recitalists, chamber orchestras, early music ensembles, and vocal music, with a broad and dynamic repertoire ranging from the medieval period through the present day.

he Friends’ presentation of chamber music is unrivaled in the area, and The Master Pianists Series is considered one of the nation’s leading piano series. The Friends’ Early Music Series provides audiences a unique opportunity to hear a variety of music written from the medieval period through the Baroque period (c. 800–1750).

he Friends’ acclaimed educational series, “What Makes It Great?,” provides several free performances featuring composer and National Public Radio personality Rob Kapilow, held at a variety of venues around the metropolitan area. This series explores the innermost secrets of some of the world’s greatest music and is well-loved by music fans of all ages.

n recognition of three decades of excellence, The Friends of Chamber Music received the first ever Acclaim Award from Chamber Music America in March 2006. The Friends prides itself on 33 remarkable years of presenting “the intimate voice of classical music” to Kansas City’s audiences.

Kemper Museum of Contemporary Art is a valuable community asset that presents a growing permanent collection, special exhibitions, and community outreach programs to an audience of all ages and levels of interest. The Museum strives to represent artists of diverse genders, nationalities, artistic influences, media, and ethnicity. Admission is always free and the Museum is fully accessible to visitors with special needs.  We believe that the arts foster exchange, debate, and greater understanding of the human experience.

Hours:

Kemper Museum of Contemporary Art

4420 Warwick Blvd.

Kansas City, MO 64111

Tues.–Thurs. 10 a.m.–4 p.m., Fri.–Sat. 10 a.m.–9 p.m., Sun 11 a.m.–5 p.m., Closed Mondays

Kemper at the Crossroads

33 W. 19th St.

Kansas City, MO 64108

Thurs. noon-6 p.m., Fri. noon–8 p.m., Sat. noon–6 p.m., Closed Sunday–Wednesday

Kemper East Galleries

200 E. 44th St.

Kansas City, MO 64111

Tues.–Fri. 10 a.m.–4 p.m. Closed Mondays

One of Kansas City’s premier restaurants, Café Sebastienne combines the worlds of contemporary art and contemporary cuisine in the heart of the Kemper Museum of Contemporary Art.

Take a break from our galleries and enjoy Executive Chef Jennifer Maloney’s contemporary American cuisine while surrounded by the Museum’s permanent collection, in either the intimate Café setting, or enclosed Courtyard.  The artistic cuisine is complemented not only by the aesthetic setting, but also the eclectic wine list. An array of hand-selected boutique and single vineyard wines are available to enhance your dining experience.

Café Sebastienne (Located in the Kemper Museum)

Lunch: Tues.–Sun. 11 a.m.–2:30 p.m., Dinner: Fri.–Sat. 5:30–9:30 p.m.