Symphony offers world premiere by promising newcomer
Composers have long delighted in creating elaborate narrative “programs” for their instrumental works, then instructing us not to rely on the programs too much, or even asking us to ignore them altogether. At issue is a tension over whether a piece conceived programmatically can also stand on its own as “pure” music. Avner Dorman’s new Piano Concerto No.
Percussionist joins KC Chorale for unique program of drumming and humming
Can one woman change the direction of a culture? We all know the answer is yes, but it’s still gratifying to see it when it happens.
American’s piece scores with audience at Symphony season opener
It’s not often that a 12-minute piece by a living American composer proves to be the musical highlight of a two-hour concert of classical favorites. Usually the “modern” piece is that cacophonous thing that you grin and bear to get through to the good stuff.
New Parsons work tells love story using dance, visuals, rock music and — opera
Choreographer David Parsons’ earnest new piece Remember Me takes as its ambition to do Jesus Christ Superstar and Movin’ Out one better, by creating not just rock-opera or rock-ballet but rock-opera-ballet.
Choreographer confirms his place in pantheon of American heroes
Are you as tired as I am of country singers and demagogues telling you what it is that makes America great? Freedom, family values, guns, pickup trucks. Choreographer Paul Taylor embodies, as much as any American I know, the values that have made this country strong: At 79, he still works like the devil every day, using his God-given genius to make art that enriches our lives year in, year out.