Tenor builds dream through good training, self-knowledge and hard work
As a vocal student, Lawrence Brownlee wanted to sing the big romantic roles that tenors pine for: Rodolfo in La Bohème, Alfredo in La traviata, Cavaradossi in Tosca. Looking back, he’s awfully glad he heeded the advice of those who knew his voice was destined for a different realm.
Kansas City Ballet will have its own home downtown, at last
Imagine a future in which Our Town’s nationally renowned ballet company had its own home for the first time in its 52-year history, a dynamic place where professional creativity, community arts and education all converged into a synergistic hub in the heart of downtown. Well dream no more, supporters and fans of the Kansas City Ballet.
Choreographer uses odd sartorial prop for striking duet
In the center of a giant disc of white lycra covering half the dance studio stands a lone ballerina, Stayce Camparo, wearing the heavy, textured fabric around as a burdensome skirt. As she twists slowly counterclockwise, the skirt pleats together liked twisted rope and gently binds her.
Two feisty ladies make for fascinating weekend of dance and music
If you want an excellent example of what small-to-medium-sized arts groups in Kansas City can achieve when they team up, look no further than the October 16-18 production of Henry Purcell’s The Fairy Queen, a masterpiece from 1692 that has reportedly not been performed here in a half-century.
Concerts feature two celebrated sopranos on the same night
If theater and drama in English began with the plays of Shakespeare, the modern English song began with the works of the Elizabethan singer-songwriter John Dowland and, a bit later, Henry Purcell.